individual lessons or master classes

Our staff of professors for individual lessons and master classes is constantly growing. Here you can find our current overview:

Prof. Kolja Lessing, violin

  • vita

    Kolja Lessing, one of the most versatile musicians of our time, has given decisive

    impetus to the music world by combining interpretational and research work with his

    skills as both violinist and pianist. Thanks to his efforts, for instance, Georg Philipp

    Telemann's Violin Fantasias and Johann Paul Westhoff's Violin Suites have been

    rediscovered for the concert stage along with many significant piano works by

    twentieth-century composers. Internationally acclaimed CD recordings provide

    evidence of a varied approach to repertoire ranging from the Baroque era to the

    present day, encompassing both standard works and rarities.

    Kolja Lessing's worldwide concert and recording activities as a violinist and pianist

    include collaboration with leading orchestras and conductors like Yakov Kreizberg,

    Nello Santi and Lothar Zagrosek as well as widely diverging chamber-music projects.

    In recognition of his efforts on behalf of ostracized composers he was awarded the

    Johann Wenzel Stamitz Special Prize in 1999, in 2008 he was awarded the German

    Critics’ Prize for Music. In 2010 the TV-documentary “Ferne Klänge” on his efforts for

    music in exile had its first broadcast. In 2015 he was honored with the Otto-HirschAward by the city of Stuttgart.

    Numerous premieres of violin works which composers like Haim Alexander, Tzvi Avni,

    Abel Ehrlich, Jacqueline Fontyn, Berthold Goldschmidt, Ursula Mamlok, Dimitri

    Terzakis and Hans Vogt have written specially for Kolja Lessing reflect his

    international reputation along with the fact that he is regularly invited to give master

    classes in Europe and North America.

    Since 2000 he has taught as a professor for violin and chamber music at the

    Musikhochschule Stuttgart after similar positions in Würzburg and Leipzig. Kolja

    Lessing received his seminal music training from his mother and later from Hansheinz

    Schneeberger in Basel, where he also studied composition. He also took artistic

    inspiration from his collaboration with Berthold Goldschmidt, Ignace Strasfogel and

    Zoltán Székely.


Prof. Davide Formisano, flute

  • Life

    Davide Formisano was born in Milan in 1974. There he finished his studies with C. Tabarelli with highest points and distinction and completed his techniques afterwards with Bruno Cavallo, Jean-Claude Gérard at the Hochschule für Musik und darstellende Kunst Stuttgart and with Aurèle Nicolet in Basel.


    As a teenager he received first prize at the Galileo Galilei Competition and the International Stresa Competition. At the age of seventeen, he took part in the "Jean Pierre Rampal Competition" in Paris, where he was awarded the "Prix Spécial du Jury". Over the next few years he was awarded prizes at the following international competitions: "Kobe International Flute Competition", 1st Prize "Budapest Flute Competition" and 2nd Prize (in the absence of a first) "ARD Competition Munich".


    Davide Formisano is the first Italian foetalist to be awarded this multitude of international and important prizes. So it is not surprising that as a young flutist he appeared with many orchestras such as the Orchestra Giovanile Italiana, the Schleswig-Holstein Festival Orchestra and the European Community Youth Orchestra, all conducted by great conductors such as Lorin Maazel, Carlo Maria Giulini and Kurt Sanderling. In 1995, at the age of 21, Davide Formisano took the position of solo flutist with the Hamburg Philharmonic State Orchestra. Only one year later he was in the same position with the Netherlands Radio Philharmonic Orchestra. From 1997 to 2012 he was solo flutist with the Theaterorchester der Mailänder Scala and the Philharmonisches Orchester der Scala. His position enabled him to work with the greatest conductors of our time: Riccardo Muti, Daniel Barenboim, Carlo Maria Giulini, Zubin Mehta, Wolfgang Savallisch, Valery Gergev, Myung Wun Chung, Georges Prêtre, Giuseppe Sinopoli, Daniele Gatti, Riccardo Chailly and others.


    Davide Formisano combined from the beginning his profession as orchestral musician with that of soloist and chamber musician, who performs regularly in Europe, Russia, South America and Asia. As a soloist he has performed with orchestras such as Bayerischer Rundfunk, Solisten der Staatskapelle Dresden, Rundfunkorchester Basel, Tonhalle Ensemble Zürich, Lucerne Festival String Orchestra, Praha Chamber Orchestra, Sankt Petersburg Philharmonic, Real Filarmonia de Galicia, Orchestra Filarmonica della Scala, Tokyo Ensemble, Simon Bolivar Orchestra and with conductors such as Riccardo Muti, Daniel Barenboim, Hans Vonk, Michael Sanderling, Donato Renzetti, Fabio Biondi, Antoni Ros Marba and Rumon Gamba. His chamber music partners include Riccardo Muti, Daniel Barenboim, James Galway, Philipp Moll, Bruno Canino, Sergio Azzolini, Radovan Vlatkovic and Fabio Biondi. He regularly performs at the following festivals, among others: Lucerne Festival, Festival of the Nations, Rheingau Music Festival, Rossini Opera Festival, Nuits musicales d'été de Nice, Serate musicali, Società de quartetto, Amici della musica Palermo/Firenze and Milano, Festival Giordano, Ravenna Festival, Budapest Spring Festival, International Fuji Festival and Yamanami Music Festival. In 2004 he toured the world as a soloist with the Scala Philharmonic Orchestra. He made his debuts at the famous "Bunka-Kaikan Hall" in Tokyo and at the "Metropolitan Art Space". Recently he performed Rodrigo's "Fantasia para un Gentil Hombre" with the "Orchestra Haydn di Trento e Bolzano" (Italy).


    The international press writes about the concerts with the ensemble of the Dresdner Kappellsolisten, which were enthusiastically received by the audience: "A Magic Flute impresses the audience" (Il Messaggero, Rome); "An Italian soloist, guest of the ensemble, who literally drives his musical partners beyond the norm with verve and an interpretative joy, who shows a wonderful tone and an unquestionable artistic ability" (La Repubblica - Florence); "Since he does not only present precision, excellent control over breathing and an always safe and round tone, he is a musician who can express everything - Formisano's cadenza between movements is like a surprising and happy enlightenment" (la Stampa).


    His recordings include W. A. Mozart's flute quartets with the Tartini Quartet and a live recording of his debut at the Lucerne Music Festival with piano. A CD with Italian opera themes is also available, on which he plays with Phillip Moll, Sergio Azzolini and Jean-Claude Gérard, as well as a film recording of the Mozart Concerto KV 314 for Italian television with the conductor Riccardo Muti.


    Since 2007 Davide Formisano is professor for flute at the Hochschule für Musik und darstellende Kunst, Stuttgart. He gives masterclasses all over the world and is regularly invited to Japan, Italy and France.




Prof. Anke Dill, violin

  • vita

    Anke Dill, born in Stuttgart, studied violin with Nora Chastain, Shmuel Ashkenasi, Yair Kless and Donald Weilerstein.

    The violinist, who has won numerous prizes, performs as a soloist and chamber musician in a wide variety of formations throughout Europe, Japan, China and America. She has appeared at festivals such as the Schleswig Holstein Festival, the Brahms Festival, the Rencontres Musicales de Haute Provence, the Aspen Music Festival, the Sewanee Festival and the Chautauqua Music Festival in the USA, as well as in major concert halls such as the Laeiszhalle in Hamburg and the Liederhalle in Stuttgart. Concerts with renowned soloists such as Shmuel Ashkenasi, Finghin Collins, David Geringas, Jean-Guihen Queyras, Gustav Rivinius, Barbara Westphal, CD productions as well as radio and television recordings document her artistic versatility. Together with Jacob Leuschner she has played the cycles of all works by Mozart, Beethoven and Schubert for piano and violin several times.


    In 2009 she founded the BARTHOLDY QUINTETT together with Ulf Schneider, Barbara Westphal, Volker Jacobsen and Gustav Rivinius.


    She began teaching at the University of Music Lübeck in 2001. In 2004 she was appointed professor for violin at the State University of Music and the Performing Arts Stuttgart. Her students have been awarded international and national prizes and have received permanent positions and contracts in renowned orchestras such as Gewandhausorchester Leipzig, Wiener Philharmoniker, Radio-Sinfonieorchester Stuttgart, Rundfunk- Sinfonieorchester Berlin, Kammerorchester Stuttgart, SWR Sinfonieorchester Baden-Baden und Freiburg, Staatstheater Stuttgart, Münchner Rundfunkorchester, Gwangju Symphony Orchestra, among others.

    In 2018 she taught at the master classes of the International Summer Academy in Radolfzell and Ettal, as well as in Paris and the Forum Artium.




Prof. Jacob Leuschner, piano

  • vita

    Jacob Leuschner studied in Freiburg and Lübeck. His most important teachers were Helmut Barth, Michel Béroff, Konrad Elser and Leonard Hokanson. Since 1989 he has performed as a soloist and sought-after chamber music partner in many European countries, Japan, China and the USA, and has been a guest at numerous international festivals. He was a multiple participant in the funding project "Federal Selection Concerts Young Artists" of the German Music Council. Numerous awards at major piano competitions testify to his artistic rank: Viotti (Vercelli), Beethoven (Vienna), Schubert (Dortmund), Mozart (Salzburg), Leeds, Rina Sala Gallo (Monza), German Music Competition, German University Competition - just to name the most important call. He is also the recipient of the Possehl Music Prize, the Kai-Uwe von Hassel Prize and the Wiesbaden Mozart Prize. Jacob Leuschner taught at the Musikhochschule Lübeck and held a visiting professorship at the University of Music FRANZ LISZT.


Prof. Claudio Bohorquez, Cello

  • vita

    Born in Germany, the cellist of Peruvian-Uruguayan descent is one of the most sought-after musicians in his field. As a pupil of Boris Pergamenschikow, Claudio Bohórquez was successful early on in international competitions such as the Tchaikovsky Youth Competition in Moscow or the Rostropovich Competition in Paris. At the International Music Competition in Geneva in 1995 he also won the first prize at a very young age, marking the beginning of his career as a soloist. This culminated in 2000 with an award at the Kronberg Academy's first International Pablo Casals Competition: in addition to the Grand Prix and the special prize for the best chamber music interpretation, Claudio Bohórquez received the Goffriller Cello by Pablo Casals as a two-year loan from Marta Casals Istomin. Meanwhile Claudio Bohórquez himself teaches: from 2011 to 2016 he was professor at the Musikhochschule Stuttgart, in September 2016 he was appointed to the Hochschule für Musik "Hanns Eisler" Berlin, where he has been teaching as guest professor since 2003.


    Claudio Bohórquez has performed with almost all German radio orchestras, the Staatskapelle Dresden, the Gewandhausorchester Leipzig, the Wiener Symphoniker, the Collegium Musicum Basel, the Orchestre de Paris, the Orchestre Philharmonique de Radio France, the Tonhalle-Orchester Zürich and the Academy of St. Martin in the Fields. In Japan he performs with the NHK Symphony Orchestra and the Tokyo Philharmonic Orchestra. In the USA, Claudio Bohórquez most recently gave concerts with the Boston Symphony, Chicago Symphony, Cleveland Orchestra, Detroit Symphony, Los Angeles Philharmonic, National Symphony and the Philadelphia Orchestra.


     


    Among the renowned conductors Claudio Bohórquez has worked with are Daniel Barenboim, Christoph Eschenbach, Manfred Honeck, Sir Neville Marriner, Eiji Oue, Krzysztof Penderecki, Leonard Slatkin, Tugan Sokhiev, Lothar Zagrosek and David Zinman.


    Claudio Bohórquez is a guest at numerous festivals. These include the Casals Festival in Puerto Rico, the City of London Festival, the Penderecki Festival in Warsaw and the Jerusalem International Chamber Music Festival. In the USA he has performed at the Tanglewood, Ravinia and Aspen Festivals as well as at the Hollywood Bowl. He took part in the Lockenhaus Chamber Music Festival in Austria and in Gidon Kremer's festival "Les Musiques" in Basel. Claudio Bohórquez was also able to prove that he is a master of chamber music in other places: he gave concerts with Jörg Widmann in Madrid and Bilbao, played Beethoven piano trios together with Viviane Hagner and Jonathan Gilad as part of the Beethoven Marathon at the Konzerthaus Berlin and performed in the string trio with Daishin Kashimoto and Amihai Grosz.


    The past seasons have taken the artist to many festivals, including the Rheingau Music Festival with the Columbian Youth Philharmonic under Andrés Orozco-Estrada, the Dresden Music Festival with a chamber music project together with the violinist Philippe Quint pianist and the pianist Boris Giltburg, the Schleswig-Holstein Music Festival and the Rheingau Music Festival. The coming season includes the Elbphilharmonie debut on 8 November 2018 and an Elgar cello concert with the Staatsphilharmonie Nürnberg on 15 February 2019.


    In addition to numerous CD recordings, radio recordings and television appearances, Claudio Bohórquez performed on Paul Englishby's soundtrack to the film "Ten Minutes Older - The Cello", which was shown in cinemas worldwide. Together with the painter Klaus-Peter Kirchner, Claudio Bohórquez developed the installation project "Space for Pablo Casals" as a tribute to this great cellist. With Daniel Hope, the ECHO award-winning CD "Four Seasons" (2017) was created for Deutsche Grammophon.

    In July 2018 BerlinClassics will release a new CD with the sonatas of Johannes Brahms and some bonus tracks together with Claudio Bohórquez' duo partner Péter Nagy.


    Since the 2017/18 season Claudio Bohórquez has been artistic director of the Schlosskonzerte and Konzerttage Winnenden.


    Claudio Bohórquez plays a violoncello by G. B. Rogeri, which is made available to him by the Landeskreditbank Baden-Württemberg.


    Season 2018/2019


Prof. Wolfram Schmitt-Leonardy, piano

  • vita

    Wolfram Schmitt-Leonardy is one of todays most remarkable artist discoveries of the record industry. His recordings by Schumann (Symphonic Etudes, Toccata, Carnaval, Nachtstücke, Klavierstücke, Intermezzi), Mendelssohn (Capriccios, Scherzi, Fantasies, Kinderstücke, Variations sérieuses, Perpetuum mobile etc.), Brahms (Variations on a theme by Paganini, Schumann, Handel, Brahms himself and a Hungarian theme), Chopin (complete Preludes, Impromptus, Ballades and Sonatas), the world premier recording of Warenberg/Rachmaninoff (Rachmaninoff’s 2nd Symphony), Kabalevsky (Sonatas and Preludes), Tschaikowsky (1st concerto) and Gershwin (Rhapsody in Blue) received many prizes and raving reviews in the international press.


    „What’s most striking about Schmitt-Leonardy’s pianism is its vibrancy and immediacy“ (Fanfare). Music critics e.g. Peter Cossé, Ingo Harden, Knut Franke, Jed Distler, Jeremy Siepman, Ates Orga and established Magazines e.g. American Record Guide, Fono Forum, BBC Music Magazine, Diapason, Piano, Klassik heute, Piano News, PIANO (GB) and PIANO (F) describe Schmitt-Leonardy‘s interpretations as „astonishing, exquisit“, „breathtaking“, „electrifying“, „dazzling brilliant, as well as grippingly independent“. They praise his „interpretive sophistication, depth and originality“, „his intellectual power, virtuosity, combined with a Classicist’s sense of proportion“, „his multi-hued tonal palette which abjures only the ugly, and his propulsive rhythmic vocabulary“.


    He won top pizes in International Piano Competitions e.g. the International Rachmaninoff Competition, the Walter Gieseking Competition and has been elected Upcoming Artist of the year by the German Magazine Fono Forum. The Pianists Encyclopedia Pianisten-Profile points out Schmitt-Leonardy‘s „artistic authority and singular musical consequence“ and Knut Franke one of the most respected critics of our time compared Schmitt-Leonardy‘s „sovereign culture of sound“ with Vladimir Horowitz. The Magazine Piano News praised his Chopin recordings and compared his playing with Krystian Zimerman and Grigory Sokolov.


    His concerts leed him to prestigeous concert halls and international festivals e.g. Berlin Philharmonic Hall, St. Petersburg Philharmonic Hall, Festival White Nights (Russia), Berliner Festwochen, International Piano Festival Miami, Amiata Piano Festival, Munich Residenz, Teatro Olimpico Vicenza, Forbidden City Concert Hall Beijing, Alte Oper Frankfurt, Kilburn Concert Series Canada, Opera Houses of Hanoi and Alexandria, International Piano Festival Malaysia, Philharmonic Halls of Ljubljana, Perm (GUS), Timisoara, Brasov, Cluj and Sibiu (RO), Poznan and Waldenburg (PL), Philharmonia Bangkok, Adrienne Arsht Center of the Arts (USA), International Music Festival in Kemiö (FI), Rittersaal Mannheim, Festival Musical Durtal (F), Festival in Ribadesella (Spain).


    As soloist he played with the St. Petersburg Philharmonic Orchestra, Berliner Symphoniker, Thailand Philharmonic Orchestra, Philharmonia Hungarica, RTV Orchestra Slovenia, Philharmonia of the Nations and many others.


    Chamber music partners are the Philharmonia Quartet Berlin, the Melos Quartet, the Amati Quartet, the Rodin Quartet, Ingolf Turban (Violin), Pavel Vernikov (Violin), Tuncay Yilmaz (Violin), Ramon Jaffé (Cello), Guido Schiefen (Cello), Wolfgang Emanuel Schmidt (Cello), Dimitri Maslennikov (Cello), Georg Friedrich Schenck (Piano) and Maurizio Baglini (Piano).


    THE TEACHER:


    As one of the most passionated and sought-after pedagogues of our times he regularly gives Masterclasses in Austria (Konzertverein Wien), Poland (Chopin Institute Warsaw), Russia (Philharmonia Perm), France (Festival International de Musique Dinard), Canada (University of Alberta), China (Conservatory Beijing), Spain (Barcelona), Thailand (Philharmonia Bangkok), Germany (Tonkünstlerverband Bayern, Philharmonia Munich), Italy (Amiata Piano Festival, International Piano Academy Pinerolo, Conservatory Vivenza), Philippines (Camerata dell Arte Foundation Manila), Malaysia (International Piano Festival Malaysia), Romania (Mozart Festival), and founded an educational and mentoring program for extraordinary talented piano students the WSL-Masterclass. His theoretical work „Artistic Piano Technique“ was published in China.


    2010 he was offered a full-time professorship at the University of Music and Performing Arts Munich where he worked for 7 years, in 2016 he was offered a full-time professorship at the University of Music Hanns Eisler Berlin and in 2017 he was offered a full-time professorship at the University of Music and Performing Arts Mannheim where he works since then. Besides his work at German Universities he is also Professor in France at the prestigious École Normale de Musique de Paris Alfred Cortot, in Italy at the International Piano Academy Brescia and has been chosen by the Lang Lang International Piano Foundation, New York to work with a fine selection of outstanding piano prodigies.


    Prof. Wolfram Schmitt-Leonardy’s musical roots are broadly diversified: His musical education involves the most important traditions and schools of the 19th and 20th century. His first teacher Prof. Alexander Sellier was a student of the most legendary german pianists Walter Gieseking and Edwin Fischer. Schmitt-Leonardy also worked with Prof. Vitalij Margulis who received his first piano lessons from his father, whose teacher, Alexander Horowitz, studied with Alexander Scriabin. Another important teacher of Mr. Schmitt-Leonardy was Prof. Adrian Aeschbacher, who was Arthur Schnabel’s student. Schmitt-Leonardy‘s teacher and close friend Michael Ponti (himself one of the greatest pianists of the 20th century) studied with Gilmour McDonald who was the assistent of Leopold Godowsky and with Erich Flinsch who studied with Emil von Sauer, who himself studied with non other than Franz Liszt. All these important musical personalities influenced Wolfram Schmitt-Leonardy on his way. Furthermore, among his mentors are such important pianists e.g. Alexis Weissenberg, Olli Mustonen and Aldo Ciccolini.


    He serves as Jury member in many International Piano Competitions e.g. the IGPA (Chairman of the International German Piano Award since 2011), International Piano Competition Epinal (F), International Piano Competition Thailand, Clavicologne, MozARTe, International Piano Competition Pietro Argento. His students have won countless awards and prizes in International Piano Competitions.


Prof. Andreas Froelich, piano

  • vita

    Andreas Frölich studied at the music academies in Freiburg with Prof. Vitaly Margulis and in Cologne with Prof. Pavel Gililov. He has won prizes at various international piano competitions (among them


    in Senigallia, Finale Ligure, Milan 


    or at the international music competition in Vienna, 


    Sudeten German Cultural Promotion Prize).


    His concert activity leads him both as a soloist with numerous internationally known 


    as pianist of the Mendelssohn Trio Berlin and with the Ensemble Wien. 


    (concertmasters and members of the Vienna Philharmonic), to the largest concert halls in Europe, South America, Asia, South Africa and Australia, as well as to major international concert halls. 


    Music festivals, including the Rheingau Music Festival, Schleswig-Holstein Music Festival, Easter Festival


    Salzburg, Mozartfest Würzburg, Emilia Romagna Festival, Gergiev Festival, Schubertiade Roskilde, Granada Festival and numerous other music festivals worldwide.


    His artistic work also includes


    numerous broadcast productions at all major 


    stations in Germany and numerous international radio stations, as well as more


    than 40, partly award-winning CD productions,


    at OEHMS CLASSICS, CPO, EMI, BMG, SIGNUM 


    and VMS.


    Andreas Frölich is the artistic director


    he is chairman and artistic director of the international "MozArte" festival, the Orpheo concert series for young international prize winners in Kerkrade, as well as jury chairman, 1st chairman and artistic director of the international piano competition "MozArte" in 


    Aachen (www.mozarte.aachen.com).  In addition, he has been the musical director of the 


    EURIADE Festivals. 


    He teaches as professor at the Hochschule für Musik und Tanz Köln -Aachen, since 2016 as 


    Professor at the Talent Music Masters Academy in Brescia and since 2018 professor at the "Neue Sterne" Academy in Hannover, Germany.


    12 yearsGuest Professor at the international


    Summer Academy of the Mozarteum in Salzburg, and gives master classes all over the world, e.g. the


    Holland Music Sessions, at the International Forum Musikae in Madrid, the VIPA International Piano cademy in Valencia and Malaga, the Euro Arts Festival Halle, the World Piano Meeting Coimbra / Portugal, the Baltic Festival in Tallinn, the Boya Festival in Shanghai / China, the Piano Loop Festival in Split, the Music Festival Perugia, the Hotchkiss


    University Lakeville /USA, as well as at numerous 


    Master classes worldwide.  He has also served as a juror for numerous international 


    Piano competitions in demand (Beethoven Competition Bonn, Valencia, Madrid, Ferrol, Campillos, Granada, Gorizia, Scriabin/Grosseto, Pescara/Italy, Enschede, Larnaka/Cyprus, Brussels "Cesar Franck", Guanghzhou/China, international Russian Piano Competition. a.o.)


    In the last few years, his


    he students will win more than 80 prizes (1st and 2nd prizes) at international piano competitions.


    Andreas Frölich has been an official Steinway Artist since 2019.


                                                                  Prof. Friedemann Rieger, piano

  • vita

    Friedemann Rieger


    The German pianist Friedemann Rieger enjoys an international career as soloist, chamber musician and lied accompanist. He has recorded well over 20 CD´s, including Mozart´s piano sonatas, a wide range of violin sonatas and other chamber music works.


    He is a top prize winner at a number of international competitions, including the Premio Vittorio Gui in Florence, the prestigious Concours Clara Haskil and the Colmar Chamber Music Competition. Mr. Rieger studied in Stuttgart, Munich and Freiburg with Dora Metzger, Vladimir Horbowski, Andrzej Jasinski and Carl Seemann.


    His concert activities have taken him to Washington D.C., New York, Boston, Berlin, Hamburg, Munich, Frankfurt, Rome, Milano, Warsaw, Zürich, Basel as well as the Schleswig-Holstein Festival and the Menuhin Festival Gstaad.


    Friedemann Rieger is Professor of Piano and chambermusic at the Musikhochschule Stuttgart, and leads a masterclass for chamber music at the Musikhochschule Zürich-Winterthur.



                                                                  Prof. Gerlinde Otto, piano

  • vita

    Professor Gerlinde Otto has a class of students from all over the world, many of them winners of international competitions. Young piano students are looking for her inspiring and careful teaching as well as for her extraordinary facility to solve problems of piano technique and body movement awareness. She gives masterclasses in many countries like Norway, Ukraine , Russia, Romania, Turkey, Korea, Canada, China and Italy. 

    During her school time Gerlinde Otto has received several prizes of competitions for young musicians like First prize at the National Competition in GDR and in 1980 she was the participant of the final round of the International Johann-Sebastian-Bach Competition. Concert tours led her to Bulgaria, Poland, Czechoslovakia, Hungary, Italy, Finland, France, Switzerland, Austria, the former Soviet Union, Canada, Korea  and China. 

    Gerlinde Otto took part in productions for radio and television and CDs, for example the documentary of „The History of the Piano“, which was made by the broadcasting company in Austria. Next to her extensive work as a solist Gerlinde Otto is in demand as accompanist and chamber musician.

    Gerlinde Otto has been a juror of national and international competitions.



Prof. Wolfgang Wagenhäuser, piano

  • vita

    Professor Wolfgang Wagenhäuser


    Pianist


    Born in Frankfurt , Wolfgang Wagenhäuser is a pianist whose unique approach to performance and pedagogy is the result of merging ideas from different schools and traditions of piano playing.  He has studied in the lineage of important pedagogues: Professor Gisela Sott who not only comes directly out of the Liszt tradition but also in performances of Beethoven from the Edwin Fischer tradition and Professor Leonard Hokanson who studied under Arthur Schnabel. In addition, he has had intensive experience under Rosa Sabater (pupil of Alicia de la Rocha) and Rudolf Firkusny (pupil of Janacek).


    At age 19 Wolfgang Wagenhäuser (short after his Abitur "with honors") upon his successes in various competitions was the youngest student to have become a "dozent" in Germany and led his own piano class for 3 years in the university in Fulda; afterwards at the age of 22 he was called to lead his own piano class at the university of music and performing arts in Frankfurt am Main. He accepted his professorship position at the university of music in Trossingen 12 years later. Since 2015 Wolfgang Wagenhäuser is guest professor at the Tongji University in Shanghai where he as well developes and leads the interdisciplinary sound research centre.

      

    During his decades of teaching, his students have won many national and international piano competitions and have been recognized nationwide as promising young artists. His former students currently teach in conservatories and universities worldwide. He himself is a winner of numerous first prizes in national and international piano competitions (in Paris and Florence ) and includes special recognition for his authentic and original interpretation of Mozart and Beethoven. 



    Wagenhäuser made his first public appearance at the age of five. During his most active years of concertizing, he gave up to 80 concerts per year regularly. His performance opportunities took him all over the world but decided at the age of 35 to diminish his concert life to dedicate more energy to his students and his family. Only since 2003 he has been accepting more concert invitations. 


    Wolfgang Wagenhäuser loves playing "Lied" as well as chambermusic from time to time. Here are some of his partners: Aldo Baldin, Gabriele Schnaut, Scott Weir, Christoph Prégardien, Sergej Kravtschenko, Pieter Daniel, Federico Agostini, Maria Kliegel, Michael Flaksman, Andrei Demin, Günter Klaus, Ovidiu Badila, Radovan Vlatkovic, Branimir Slokar, Roger Bobo, Serge Collot, Kim Kaskashian, Dmitri Ashkenazy, Akio Koyama, Leonard Hokanson, Zora Slokar, Soli-Trio and last not least Excelsior-piano-duo.


    He receives invitations to countless masterclasses and concerts- from Moscow conservatory to greater parts of Asia . In Germany he manages long-term courses for young pianists at state and national levels. 


    Hailed by the press for his ability to interpret a wide range of styles, Wagenhäuser's repertoire is multifarious. Over 50 recordings for CD as well as live concerts for Radio and TV at various festivals in the past years (in Moscow, Bucharest and Riva del Garda) attest to his outstanding ability and contributions as a musician.


    More informations about this allround artist (composition, organ, visual arts) you find on 


    www.wolfgang-wagenhaeuser.com


Prof. Florian Uhlig, piano

  • vita

    “Florian Uhlig plays in masterly fashion. His interpretations bear comparison with the very best. This astonishingly original CD is a real event.” (Süddeutsche Zeitung)


    That was the assessment published by the doyen of music critics, Joachim Kaiser, of a recording of Beethoven’s piano variations released on the hänssler CLASSIC label in 2009. Since then, Florian Uhlig has recorded some 20 other releases on the same label, all of which have received high praise in international journals and won awards (e.g. German Record Critics’ Prize): complete works for piano and orchestra of Robert Schumann and Dmitri Shostakovich, piano concertos by Ravel, Poulenc, Françaix, Debussy and Penderecki, as well as Ravel’s and Schumann’s complete works for solo piano. 15 CDs are scheduled for the Schumann cycle, 13 of which have already been released.


    Florian Uhlig was born in Düsseldorf and gave his first piano recital at the age of twelve. He studied in London at the Royal College of Music and the Royal Academy of Music, finishing with the concert diploma. He was also influenced by working with Peter Feuchtwanger and by his research towards a PhD thesis at the University of London on the role of the performer in the context of musical genre. Florian Uhlig reconciles contradictions in an unusual manner. On the one hand, he is rooted in the German music tradition, which is associated with seriousness, style and structure, while on the other, his many years in London have led him to develop more of an individual approach to musical works than is usual on the “continent”: pointed liberties, eccentric combinations of repertoire and curiosity about rare works. 


    Florian Uhlig made his orchestral debut at the Barbican in London in 1997. Since then he has appeared at leading concert halls across the world, performing with orchestras like the BBC Symphony Orchestra, the Beijing Symphony Orchestra, the Deutsche Radio Philharmonie, the Dresden Philharmonic, the Hong Kong Sinfonietta, the Polish Radio Symphony Orchestra, the Simón Bolívar Youth Orchestra of Venezuela, the National Symphony Orchestra of Taiwan, the Bavarian Radio Chamber Orchestra, the Stuttgart Chamber Orchestra and the Vienna Chamber Orchestra. He has worked with conductors like Krzysztof Penderecki, Josep Caballé, Claus Peter Flor, Eivind Gullberg Jensen, Kristjan Järvi, Michail Jurowski, Michael Sanderling and Gerard Schwarz.


    Florian Uhlig has performed at the Beethoven Festivals of Bonn and Warsaw, the Casals Festival, Lorin Maazel’s Castleton Festival, the Menuhin Festival in Gstaad, the Hong Kong Arts Festival, the Mecklenburg-Vorpommern Festival, France Musique Paris, the Schleswig-Holstein Music Festival, the Schwetzingen Festival and the Vienna Festwochen.


    In addition to his solo activities Florian Uhlig is much in demand as a chamber musician and lieder pianist. He was the last partner of the legendary baritone Hermann Prey. 


    In 2009, Florian Uhlig founded the Johannesburg International Mozart Festival in South Africa. As Artistic Director, he has since then guided the fortunes of the two-week music festival, which presents symphony and choral concerts as well as chamber and solo recitals featuring top-class ensembles and artists, additionally exerting important influences in the fields of interdisciplinary projects, contemporary music, the promotion of young artists and social integration.


    Appointed Professor of Piano at the Musikhochschule Carl Maria von Weber in Dresden in 2014, Florian Uhlig is assuming the same role at the Musikhochschule Lübeck since October 2019. He holds masterclasses in Germany, France, Great Britain, Canada, Hong Kong, South Korea, China and Switzerland.


    Florian Uhlig was accorded Associateship of the Royal Academy of Music in London in May 2015.


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